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Organteq also includes a MIDI recorder/player. Although you can't draw and return a stop using a single button (it doesn't act as a toggle) you can use sliders to do so, although you'll have difficulty finding a controller offering 40 of these! Once I had configured a suitable MIDI map for my test setup (which proved to be simple if a little time consuming) I was then able to save this too.

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Organteq will work with a single MIDI keyboard or a full console using different MIDI channels for each of the manuals and the pedals, or anything between, and almost everything in the GUI can be controlled via MIDI using user-defined mapping for the stops, pedals and controllers. Furthermore, each memory holds two 'presets', and you can switch between these using the A and B buttons in the upper right of the GUI. Once programmed, you can store everything as a memory, either by overwriting an existing one or by creating new registrations within user-definable banks. Other facilities include global tuning, a choice of eight temperaments and the ability to create your own tuning maps. If you need something more sophisticated such as a convolution reverb, there's nothing stopping you using a plugРІР‚вЂin or external hardware. It's not the most sophisticated reverb in the world, but it does a good job. A second panel allows you to program the reverberation, with control over the pre-delay and duration, the room size, the damping, the tone and the mix. The noise volume control allows you to set the noise level to create the sense of distance you prefer. When you sit at the console of a large organ, you're always aware of these noises, although they're much less apparent to listeners at a distance. You can step forward and backward through the Combinations using two dedicated buttons, much as you might use a set list on a synth.Р”Р„ Noises panel allows you to determine the amount of noise heard when pressing keys, moving stops, selecting couplers and so on.

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You can therefore set up the Combinations as divisional (affecting a given manual or pedals) or scoped (affecting anything in the instrument) as you choose. In addition to Tutti (all stops drawn) and Cancel (all stops pushed in), 10 Combinations are provided and, for each of these, you can determine whether a stop is Set (drawn), Unset (pushed in), or unchanged when you select a given Combination. The pedal on the right ('crescendo') introduces new stops into the mix when depressed, and the choice of stops and where in the travel they are actuated is determined by the programming within the stop itself. Here, you can choose which ranks lie inside and outside of the blinds. On a pipe organ the louvers are physical barriers that can be opened for a louder, brighter sound or closed for a quieter, duller one. The one on the left ('expression') controls virtual louvers that Modartt call blinds. Six couplers are also provided, and you can edit these with control over source, destination, РІВвЂ octave transposition and 'forwarding' (cascading). Done less subtly, it takes Organteq to places that no traditional pipe organ ever visited unless the organ builder was deaf, drunk or both. With subtle detuning this can create some nice 'celeste' voicings. In a novel move Organteq allows you to assign ranks to stops, which makes it possible to duplicate a given rank on a given manual. You can also determine a stop's overall volume and its response to the crescendo pedal. Pipe lengths range in octaves from 16' to 1' with a flute Quinte and a Bourdon (stopped flute) Nasard at 2-2/3', and you can edit each of the ranks by adjusting the loudness and the fine-tuning of each pipe within it. Each of these has 10 stops controlling ranks that include principals, flutes, stopped flutes, strings, chimneys, reeds (including a Vox Humana), and mixtures incorporating either three or five ranks with breaks.

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Supplied as both a plugРІР‚вЂin and as a stand-alone application, Organteq offers a single organ model, presenting you with three five-octave manuals (Positif, Grand Orgue and RР“В©cit) plus a 32-note pedalboard (PР“В©dale).

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But now Modartt have released Organteq, a physically modelled software instrument that aims to do for pipe organs what Pianoteq has been doing for pianos for the past few years. Nonetheless, emulations have improved considerably over recent years although the best of these - whether delivered as huge sample libraries or as physical modelling in traditional console organs - are not cheap. Recreating the sound of a pipe organ is not easy. Does Modartt's Organteq do for the pipe organ what Pianoteq did for the piano?